......
...As the arduous task of deciphering the drunken idiosyncratic scrawls and near hieroglyphic tablatures proceeds, it becomes apparent that Frankenthaler's 1957 doctoral dissertation (in which she asserts that Tomcha's stubby fingers would have had to have been double-jointed in three directions in order to execute the chordal tablatures) has now been completely refuted. Here, Prof. Nawrot grapples with a fragment from the 'Estonian' period by performing a post-Schenkerian deconstruction to extract the gestalt of what will be transformed into "Nice Lice" through the process of contemporization.

Critical evaluation of data demands almost superhuman concentration. Shown here is one of eighteen auxiliary studios deployed throughout the Vancouver complex.

...Artist's rendition of the Vancouver studio built for the Tomcha & Vlasch Project as designed by Professors Bering & Nawrot.

... After the essence of the original music has been extracted, the data is flown to Berlin and downloaded to a computer originally designed to measure Brownian motion of sub-atomic particles accelerated in a supercollider. With minor modifications, including operation near absolute zero, the same computer now analyzes and "contemporizes" the raw musical data. Using progressive Euclidian interpolation and trinary bitflow algorithms, a modern version is created-which is as close as present technology can come to approximating what Tomcah & Vlasch's music would sound like if it were written by them in the 21st Century.

Photos from the German facility